- Видео 6
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Gérard REBOURS
Франция
Добавлен 1 янв 2008
A Musical Voyage, "best of"
The soundtrack of this teaser is the middle section of Manos Hadjidakis' "Street of Dreams", on which we used a standard concert Ramirez and a Couesnon guitar tuned a fourth lower. Two Friederich guitars can also be heard on these tracks, and a steel string guitar with an extra low string in Children's pieces. For a more colourful rendition, the first guitar sometimes used a capotasto - thus becoming a "terz guitar" (as in Viva la Chontalpa) and sometimes a mute system (as in Tico-tico). It was, of course, recorded on tape and the mastering was analog, using a reverberation chamber in which the sound was sent, and then recorded back. Gérard is on the left stereo channel (mainly on Ramirez...
Просмотров: 612
Видео
Robert de Visée: Prelude in 4 versions
Просмотров 349 тыс.11 лет назад
00:09 Theorbo version 02:24 Baroque Lute version 04:09 Baroque Guitar version 06:16 Harpsichord version This video completes my article "Robert de Visée's corpus: a stylistic tutor", issued in Quarterly, journal of the Lute Society of America, fall 2012. Based on the five existing manuscripts, these four versions display some aspects of the musical and instrumental flexibility offered by this m...
Eagles Variations, based on Hotel California, (Gérard Rebours)
Просмотров 4,6 тыс.11 лет назад
Regondi variation 00:42 Barrios variation 01:38 Pujol variation 02:21 1st Interlude 03:44 Rodrigo variation 04:07 Metheny variation 05:18 2nd Interlude 06:47 Tutti variation 07:03 Brouwer variation 07:50 3rd Interlude 08:40 Finale 08:50 Epilogue 11:17 This composition, written as a tribute to the Eagles, offers a series of variations based on their famous Hotel California chord changes. These v...
Favori, que l'on danse ! (La Fontaine, Lully, Marais, Visée) by L'Eclat des Muses
Просмотров 1,9 тыс.15 лет назад
A performance based on a tale by Jean de La Fontaine (1621-1695) with music by Lully, Marais, Campra, Visée... With Christine Bayle and Pierre-François Dollé (comedian and dancers) Gerard Rebours (baroque guitar) and Patrick Blanc (flutes and musette). Live performance, Dijon (France) May 2008
Mozart, Don Giovanni Serenata, by Gerard Rebours.
Просмотров 6 тыс.15 лет назад
This 6 course Lombard mandolin, from Jean-Paul Bazin's collection, seems to be the most appropriate instrument for playing Don Giovanni's Serenade. You can see and hear it in a short solo sequence, and then with "La Grande Ecurie et la Chambre du Roy", conductor Jean-Claude Malgloire, singer Nicolas Rivenq. Live recording in Orleans, Nov. 2006. www.GerardRebours.com
L'Enfant de la Balle - in memoriam Bernard Delattre
Просмотров 1,7 тыс.15 лет назад
For the 20th birthday of Marie-Geneviève Massé's baroque dance company L'Eventail, in October 2005, dancers and musicians offered some unexpected performances. Here, comedian and dancer Bernard Delattre sing a 1950 song accompanied by (usually) guitar player Gerard Rebours. Both of them were part of the company first show, called l'Eventail. (Sorry for the buzzing sound, the camera was probably...
Дух европы в лютне
Dank om deze prachtige muziek met ons te delen 🙏
I am glad you enjoyed it. Thanks for listening. GR
Excellent.
Bravo! The best Universum of music! BRAVO
Teorbo kix ass
Who can help? Of what suite is this prelude? And I cannot find the tabs on his articles. The sheet there is not to be the piece played on baroue guitar in the vid....
Hello. I think that if you go to my website gerardrebours.com , page Articles, item 24, you will find the answers (tabs and sources).
The music of Faso is an inexhaustible source of sweetness. It allows us to plunge deep inside ourselves and at the same time resonate with our fellow man, Yé Lassina Coulibaly
Имея возможность слушать эту удивительную по красоте музыку, вступаешь в диалог с тем временем, когда звучание ее было привычным в те давние давние времена. Изысканные утонченные барышни, галантные кавалеры. Во всем была красота и гармония.😇🌿🕊️🌿💖🍀🌼🍀🌼🍀🌼🍀🌼🍀🌼🍀💖💫✨💖💫✨💫🌌💫✨🌌💫✨🌌🌏🌏🌍
You are right. Thank you for your comment.
Theorbo is the father. Lute is the son
and the guitar: the nephew? or just from another family?😀 Thanks for your fine comment.
For this particular piece, the teorbo transmitted its beauty in a more profound sense
The music of Faso is an inexhaustible source of sweetness. It allows us to plunge deep inside ourselves and at the same time resonate with our fellow man, Yé Lassina Coulibaly
That's absolutely phantastic. Amazing! Bravo!!!! I love it :-)
Thanks a lot, Tilman. I am greatly honored by your comment. All the best, GR
WOW!! AWESOME!!
Musique et interprétacion merveilleuse, salutations de Budapest, Hongrie
Merci beaucoup, et...salutations from Paris!
Amazing! Thank you!👍❤️
Théorbe : l'instrument le plus élégiaque que je connaisse, mon préféré pour l'époque baroque, découvert en 1993 pour les oeuvres de De Visée grâce à Pascal Monteilhet (1955-2022) , décédé l'été dernier et dont je n'apprends le décès qu'en cette fin décembre 2022 : magnifique interprétation, vita brevis, ars longa !
bravo pour ces belles mises en valeur emplies de justesse
Musica angelica... Gratias ago... Tota anima mea...
Who built this harpsichord? I love the sound of it.
The audio recording quality is lower than the preceding instruments, unfortunately. And unfortunately too, I do not know who built this one.
Fabulous dear people and very well done!!🙏🙏
Thanks a lot, I am glad you appreciated. GR
You might be interested to know that Toyohoko Satoh's baroque lute method contains an arrangement of this prelude for 13c lute and the arrangement is very different from M. Antonini's version. I would say that her version sounds more like of De Visee' period lute pieces in France and Mr. Toyohiko Satoh explores all the range of the later 13 c lute involving basses actively
Beautiful playing
4 versions of beauty to the soul!🎸🙏
🌈🎇🌟🍀🌹💐💚💙💜🌻❤️🎇🌈
J'adore le luth et le theorbe, je ne me lasse pas d'en écouter, salutations de Montréal Qc :-)
Bonjour, très intéressante vidéo ! Est-il possible de se procurer la transcription pour clavecin que je trouve très réussie ? merci
Bonjour; le claveciniste a joué directement à partir de la transcription sur portée de la tablature de théorbe, que vous trouverez à la page Articles, (fin de l'article 24) de mon site www.GerardRebours.com Bien cordialement, GR
Wow! Great!
Je cher la tablature de se moreau gui pourais merde merci
Go to this page from my website g.rebours.free.fr/articles/visee-for-web-2020.pdf and then you will find one of the five the original tablatures in Manuscrit Vaudry de Saizenay p. 256. The tablatures transcribed for lute and for baroque guitar are also on my website, page Articles, article 24.
egregie
It is very delightful to see all You play these marvelous music and instruments. Congratulations and thank You for sharing.
Wonderfull!
Excellent video
Une composition absolument géniale! servie par une belle interprétation. Magnifique!!
Merci Alain! Je suis d'accord avec vous...😄!
That first performer looks like a renaissance painting come to life.
In fact he looks exactly like Charles the Bold duke of Burgundy who lived in the 14th century. Look at a portrait of him ...stunning !
15th century...my bad.
Brilliant idea! And so beautifully performed by all artists. Thank you. Per-Olov
too dark
terrific artistry by all performers ! thank you !
Nice renditions
Is this Prelude part of a suite or just a single piece. I love all the performances thank you.
It is the prelude to a theorbo suite. GR
@@GerardRebours Which suite please
@@johnpeck6144 Am suite. Visée suites are not numbered, have no title or reference. You can find this piece in five manuscripts, see my website, last page of the article mentioned under the video.
Wonderful, thanks much!
Как называется этот инструмент?
Инструменты были названы. Это: тэорбо, барочная лютня, барочная гитара и клавесин.
Fascinating video! It's such a joy to be able to see these instruments compared the way you've done it. This video is a treasure! I can't thank you enough.
Thanks a lot, I am glad that you enjoyed this work. Best, G. Rebours
Thanks a lot, Bizhan. I am glad you enjoyed this music.
Inscrito no canal!!!
Que melodia linda!!!
These are some of the most captivating performances of Baroque Music I have ever heard. In my quite unfounded imagination, this seems to be close how the music must have sounded then. In spirit more, than the actual sound of the instruments. I hear deliberation, in a oriental way, which is pretty much missing in other recordings, even those who claim to include these influences.
Thanks a lot, Lorenzo, for this very deep commentary that is a proof of your precise musical feeling and true stylistic knowledge. All the best, GR
Mi preferida la 3.
Robert de Visée mérite d'être mieux connu car ses oeuvres pour le luth et le théorbe révèlent des sonorités merveilleuses dans un registre plus rare pour des instruments solistes, le bas médium et la basse. Tant au théorbe qu'au clavecin lorsqu'on a le plaisir de transcrire certaines pièces, on découvre une sérénité absolue . Pour ma part, j'adore. Robert de Visée était maître de guitare à la Cour et occupait sa charge auprès de louis XIV pour lequel il jouait régulièrement. Visiblement, il était reconnu par ses pairs ainsi que par les clavecinistes de son temps. La dédicace de son "Livre de guittarre" nous éclaire sur son ouvrage à la Cour du roi dont voici des extraits : Il fait par exemple mention d' "un petit recueil de pieces de Guittare, que j'ay composées, et qui ont eû le bonheur de ne vous pas déplaire" "Elles ont eû plusieurs fois la gloire d'Amuser V.M. dans les heures de ce precieux loisir. Je l'ay veüe moimesme ne pas dédaigner quelque fois l'Exercice de nostre Art, et toucher la Guittare." "V.M. m'a déjà comblé de ses graces, par le chois qu'elle a fait de moy pour divertir quelquefois Monseigneur le Dauphin." "L'honneur que j'ay eû d'aprocher du plus grand Monarque de l'Univers et du plus fameux des Conquerants". Il précise aussi entre autres son bonheur de divertir le roi en écrivant : "trop heureux si je pouvois pour tout fruict de mes veilles, divertir Votre Majesté". Son oeuvre est aujourd'hui intemporelle et demeure belle à nos oreilles et à notre âme.
I feel privileged to be able to play his on classical guitar. We live in a convenient time and it certainly has its benefits.
Sehr interessantes Video, alle 4 Versionen sind hervorragend gespielt und klingen exzellent auf dem jeweiligen Instrument. Vielen Dank.
Bravo！
Aww....I thought it was all going to be the same performer... That first player, whoever he is, looks like he was made just for that Theorbo!